nope
- bloke
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nope
Yeah, I got the certificate and dealt with this for about one semester and then left.
The next year I got a job as a studio teacher at a university, and it was the same thing so I left there as well.
The aftermath of young scholars' exploits - destroyed instruments - I can deal with those. Destroyed instruments don't lie, and they don't talk back.
https://www.facebook.com/reel/945736513 ... 7S9Ucbxw6v
The next year I got a job as a studio teacher at a university, and it was the same thing so I left there as well.
The aftermath of young scholars' exploits - destroyed instruments - I can deal with those. Destroyed instruments don't lie, and they don't talk back.
https://www.facebook.com/reel/945736513 ... 7S9Ucbxw6v
- the elephant
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Re: nope
I do not have any degree at all.
Having come to school from living and gigging in New York City along with three years of Army organization, no-BS work ethic, and discipline, I found school to be drudgery for me to be endured. I was used to self-educating, and the classes were so slow in that regard.
I was a music education major until my third year. By that time I had been teaching privately in schools for two years and was a voracious observer of how classrooms worked at that time. I was shocked by how things had declined in the 12 years since I had been in the beginning band.
I got fed up with the nonsense and decided to drop music altogether. I changed my major to "Business Undecided" and walked to my favorite lunch spot. I won't go into details, but something very important happened to me at lunch that day, and I literally ran the three miles back to the university Bursar's Office to change my declared major again, this time to performance, this time for good.
This degree plan afforded me the flexibility to dabble outside the schedule while staying within the program, so I wrote my own degree plan, taking courses that I felt would benefit me in real life versus some of the crap the university thought I needed to know. (I got into some small amount of trouble at a Brass Department meeting of students and professors, when, prompted to ask questions after their flowery, BS-laden speech about what they felt we needed in our educations, I bluntly asked the department chair, "When will you teach us how to get paying gigs in the D/FW area? When will you teach us to set up and maintain a successful private teaching studio?"
I managed to stretch my degree out as long as I needed in order to take these additional classes and get the education I felt I wanted to pay all that $$$$$$ for. (My private teacher gave me a gem of a lesson over coffee at the Student Union cafe one day during my sophomore year. He said, "Never accept the education you are handed. Demand more. Ask questions. Read more than assigned. Read it because you want to know the information. If you don't want to know it, get out of music. TAKE the education you want."
So I did.
I attended five years plus two summer sessions for four summers. I had something like 25 hours more than my major required. I was still shy of one semester of academic work, some of which was music coursework I felt had no practical value for me as a working tuba player, and some was core academic work that I thought was a waste of my time. (I do not need biology or chemistry. I already knew more through my own genuinely curious studies than any of those 19-year-old kids would remember two years after they graduated. Remember that I was a freshman at the age of 23 so I needed to get done and into a Master's program ASAP.
Then I won this job. I was 28 at that time, and I decided to finish up that semester with my jury and finals, get another job for the summer, and scrimp every penny to help me get moved from Denton to Jackson. I won the audition on a school-owned 188, and my grandfather, on short notice, loaned me several thousand bucks to buy a horn.
I have never felt the need to go back to school. I have a small, low-paying (but full-time) job, I can make money as a freelance player, I can play the bass, I can arrange when needed, I can teach, I can do high-level hand copy work or excellent computer music engraving, I can write, I can research, I can play policies and schmooze and effectively sell season tickets, I can run office equipment, I can do all of my own car maintenance and repairs, I can do some fairly serious work to brass instruments… who needs a degree? I have still taught at a major university (small music program, though) and chose to leave for the same reasons Joe did. It was a job field dominated by work to continue to justify employment by the university. I was paid very little for my time when you include all the self-justification work, the perpetuation work, the students were unwilling to buckle down and work, attendance was poor, as it had been for many years prior to my arrival on campus, and my attempts to correct this were met with stonewalling and grade-changing. Then one year they waited until the week prior to classes to let me know that all mileage money had been cut from the budget for adjunct professors. So with one week until classes started I told them to go pound sand. I will never seek out that sort of ridiculous work again. I do not hold a doctorate, so I had no desperation to find teaching work at any cost. I left.
I think my life plan worked out for me exactly as I wanted. I have been in this job for 32 years now. I am still a very active player at the age of 60, and a number of well-known players and teachers come to me privately for career advice or info about certain horns, teaching methods for dyslexics, etc. I am a nobody, but I am somebody within the ranks of nobodies, heh, heh…
Changing my life away from the whole Music Education/Band Director/Professor life was probably one of the better decisions I have ever made. Enlisting in the Army was the best; I needed the Army at that time. Deciding to keep this job once I had attained tenure (rather than resigning and returning to school, as had been my plan) was another good decision.
Not going for that teaching certification, and not conforming to "the plan" (however good and successful it may be for thousands of others) was what *I* needed to do. I have made many mistakes in my life, followed some dead-ends, etc. I do not think that any of these fall into that category.
Think about what you are doing. Think about it with blunt honesty. Be realistic. Get your head out of the clouds. What can you realistically do for the next five decades of your life? Do what you need to do in order to succeed at that, and if that means to alter or even abandon your degree plan then do that.
Be prepared for the fallout, and the negative effects of such a decision.
Then proceed apace with your nefarious plans for world domination.
If you want to play — not teach at a university — a performance degree is of no help outside of the education itself. It opens zero doors. It affords zero opportunities. Instead, follow your OWN plan while working on that "useless degree". Take a lot of time to devise a non-idiotic plan, too. You have to do that. The stuff does not just happen. It requires a good deal of thought. Winging it is a stupid thing to do.
Some of us just don't "conform to standards".
Best of luck.
"Never accept the education you're handed. Grab more. Study what you need to get where you want to go. Ask lots of questions. Get to know professors outside of class. Some of your best education will come from random conversations over coffee."
— Don Little, 1989

Having come to school from living and gigging in New York City along with three years of Army organization, no-BS work ethic, and discipline, I found school to be drudgery for me to be endured. I was used to self-educating, and the classes were so slow in that regard.
I was a music education major until my third year. By that time I had been teaching privately in schools for two years and was a voracious observer of how classrooms worked at that time. I was shocked by how things had declined in the 12 years since I had been in the beginning band.
I got fed up with the nonsense and decided to drop music altogether. I changed my major to "Business Undecided" and walked to my favorite lunch spot. I won't go into details, but something very important happened to me at lunch that day, and I literally ran the three miles back to the university Bursar's Office to change my declared major again, this time to performance, this time for good.
This degree plan afforded me the flexibility to dabble outside the schedule while staying within the program, so I wrote my own degree plan, taking courses that I felt would benefit me in real life versus some of the crap the university thought I needed to know. (I got into some small amount of trouble at a Brass Department meeting of students and professors, when, prompted to ask questions after their flowery, BS-laden speech about what they felt we needed in our educations, I bluntly asked the department chair, "When will you teach us how to get paying gigs in the D/FW area? When will you teach us to set up and maintain a successful private teaching studio?"
I managed to stretch my degree out as long as I needed in order to take these additional classes and get the education I felt I wanted to pay all that $$$$$$ for. (My private teacher gave me a gem of a lesson over coffee at the Student Union cafe one day during my sophomore year. He said, "Never accept the education you are handed. Demand more. Ask questions. Read more than assigned. Read it because you want to know the information. If you don't want to know it, get out of music. TAKE the education you want."
So I did.
I attended five years plus two summer sessions for four summers. I had something like 25 hours more than my major required. I was still shy of one semester of academic work, some of which was music coursework I felt had no practical value for me as a working tuba player, and some was core academic work that I thought was a waste of my time. (I do not need biology or chemistry. I already knew more through my own genuinely curious studies than any of those 19-year-old kids would remember two years after they graduated. Remember that I was a freshman at the age of 23 so I needed to get done and into a Master's program ASAP.
Then I won this job. I was 28 at that time, and I decided to finish up that semester with my jury and finals, get another job for the summer, and scrimp every penny to help me get moved from Denton to Jackson. I won the audition on a school-owned 188, and my grandfather, on short notice, loaned me several thousand bucks to buy a horn.
I have never felt the need to go back to school. I have a small, low-paying (but full-time) job, I can make money as a freelance player, I can play the bass, I can arrange when needed, I can teach, I can do high-level hand copy work or excellent computer music engraving, I can write, I can research, I can play policies and schmooze and effectively sell season tickets, I can run office equipment, I can do all of my own car maintenance and repairs, I can do some fairly serious work to brass instruments… who needs a degree? I have still taught at a major university (small music program, though) and chose to leave for the same reasons Joe did. It was a job field dominated by work to continue to justify employment by the university. I was paid very little for my time when you include all the self-justification work, the perpetuation work, the students were unwilling to buckle down and work, attendance was poor, as it had been for many years prior to my arrival on campus, and my attempts to correct this were met with stonewalling and grade-changing. Then one year they waited until the week prior to classes to let me know that all mileage money had been cut from the budget for adjunct professors. So with one week until classes started I told them to go pound sand. I will never seek out that sort of ridiculous work again. I do not hold a doctorate, so I had no desperation to find teaching work at any cost. I left.
I think my life plan worked out for me exactly as I wanted. I have been in this job for 32 years now. I am still a very active player at the age of 60, and a number of well-known players and teachers come to me privately for career advice or info about certain horns, teaching methods for dyslexics, etc. I am a nobody, but I am somebody within the ranks of nobodies, heh, heh…
Changing my life away from the whole Music Education/Band Director/Professor life was probably one of the better decisions I have ever made. Enlisting in the Army was the best; I needed the Army at that time. Deciding to keep this job once I had attained tenure (rather than resigning and returning to school, as had been my plan) was another good decision.
Not going for that teaching certification, and not conforming to "the plan" (however good and successful it may be for thousands of others) was what *I* needed to do. I have made many mistakes in my life, followed some dead-ends, etc. I do not think that any of these fall into that category.
Think about what you are doing. Think about it with blunt honesty. Be realistic. Get your head out of the clouds. What can you realistically do for the next five decades of your life? Do what you need to do in order to succeed at that, and if that means to alter or even abandon your degree plan then do that.
Be prepared for the fallout, and the negative effects of such a decision.
Then proceed apace with your nefarious plans for world domination.
If you want to play — not teach at a university — a performance degree is of no help outside of the education itself. It opens zero doors. It affords zero opportunities. Instead, follow your OWN plan while working on that "useless degree". Take a lot of time to devise a non-idiotic plan, too. You have to do that. The stuff does not just happen. It requires a good deal of thought. Winging it is a stupid thing to do.
Some of us just don't "conform to standards".
Best of luck.
"Never accept the education you're handed. Grab more. Study what you need to get where you want to go. Ask lots of questions. Get to know professors outside of class. Some of your best education will come from random conversations over coffee."
— Don Little, 1989
- These users thanked the author the elephant for the post (total 4):
- bloke (Sun Apr 27, 2025 9:24 am) • York-aholic (Tue Aug 26, 2025 7:17 pm) • Basses88 (Thu Aug 28, 2025 12:24 pm) • tubatodd (Fri Aug 29, 2025 6:22 am)

- bloke
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Re: nope
American symphony orchestras are slowly but surely drying up.
The per-service jobs are shrinking and the full-time jobs (from $30,000 to $130,000) are being worked down to less money paid out to musicians bit by bit over time, even though money is worth less and less bit by bit over time. These jobs - which are both shrinking in the amount they pay and the quantity of them - are being chased by more and more musicians who seem to feel a desperation to be involved with any of them, at any low pay no matter what.
Knowing this, if someone still wants to pursue this track - and that auditionee has a bunch of degrees - including a terminal degree or two, knowing how (some) audition committees of (some) orchestras think, I might suggest leaving some of the degrees off of the resume.
I might even suggest - if the top degree is a terminal degree from an extremely prestigious school - to ONLY list that one school, don't admit that it's a doctoral degree, and just write the word "diploma" - along with a mention of the prestigious teacher at that institution, wherever that teacher's name needs to be listed in the resume.
A plurality of orchestral musicians seem to be impressed with really talented players who - like Wade - find work playing without having spent years and years and years in school auditioning and auditioning and auditioning, and not having been chosen for any jobs.
The per-service jobs are shrinking and the full-time jobs (from $30,000 to $130,000) are being worked down to less money paid out to musicians bit by bit over time, even though money is worth less and less bit by bit over time. These jobs - which are both shrinking in the amount they pay and the quantity of them - are being chased by more and more musicians who seem to feel a desperation to be involved with any of them, at any low pay no matter what.
Knowing this, if someone still wants to pursue this track - and that auditionee has a bunch of degrees - including a terminal degree or two, knowing how (some) audition committees of (some) orchestras think, I might suggest leaving some of the degrees off of the resume.
I might even suggest - if the top degree is a terminal degree from an extremely prestigious school - to ONLY list that one school, don't admit that it's a doctoral degree, and just write the word "diploma" - along with a mention of the prestigious teacher at that institution, wherever that teacher's name needs to be listed in the resume.
A plurality of orchestral musicians seem to be impressed with really talented players who - like Wade - find work playing without having spent years and years and years in school auditioning and auditioning and auditioning, and not having been chosen for any jobs.
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- the elephant (Sun Apr 27, 2025 11:17 am) • Basses88 (Thu Aug 28, 2025 12:33 pm)
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Schlitzz
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Re: nope
It wouldn’t be a good idea, to omit your completed degrees. That could come up in a background check, or a periodic one. But the resume should have areas of expertise, to show you can perform the assigned duties.
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- Colby Fahrenbacher (Thu Aug 28, 2025 3:12 pm)
Yamaha 641
Hirsbrunner Euph
I hate broccoli.
Hirsbrunner Euph
I hate broccoli.
- bloke
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Re: nope
I think 99% of the time you're right, but - with a whole bunch of orchestral musicians who form a whole bunch of committees (and I'm not saying every single committee and every single orchestral musician) - to a whole bunch of them, the more times someone kept re-enrolling in schools (who actually wanted to be an orchestral musician), the more it seems to them that it's likely a weak candidate. Again: They kept auditioning, not getting chosen for a job, and then going back to school (either believing that they just needed to find the magic teacher, or they picked up some adjunct work that included a free degree, or etc.)Schlitzz wrote: Sun Apr 27, 2025 1:08 pm It wouldn’t be a good idea, to omit your completed degrees. That could come up in a background check, or a periodic one. But the resume should have areas of expertise, to show you can perform the assigned duties.
I know that I'm only speaking of some orchestral musicians and some committee members, but it seems to me that if a resume shows one degree or most of a degree with a really strong respected teacher, and then an orchestral job that pays anything between $7,000 and $30,000 after that... or maybe even less than $7,000...that they're going to be more interested in listening to this type of applicant - vs. one with a stack of degrees.
Musicians in academia don't seem to particularly respect orchestral musicians, and orchestral musicians don't seem to particularly respect musicians in academia, again: as a very overly broad generalization.
Also, ranges of dates that degrees or matriculation occurred should be left off of resumes.
- UncleBeer
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Re: nope
A recent photo of a large university tooba studio. As Roger Bobo once joked when on the Carson show (after a stellar performance!), "Graduation day rolls around, and the job offers just come rolling in". Everyone in the audience was smart enough to laugh. I'm not sure tenured academics would, though.
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- York-aholic (Tue Aug 26, 2025 7:18 pm) • bloke (Wed Aug 27, 2025 2:16 pm) • tubatodd (Fri Aug 29, 2025 6:23 am)
- bloke
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Re: nope
Rest assured, my frank and blunt public evaluations of that racket bring me no friends in that industry (other than a few closet constitutionalists and libertarians who have slipped into that culture under the radar).UncleBeer wrote: Tue Aug 26, 2025 7:21 am A recent photo of a large university tooba studio. As Roger Bobo once joked when on the Carson show (after a stellar performance!), "Graduation day rolls around, and the job offers just come rolling in". Everyone in the audience was smart enough to laugh. I'm not sure tenured academics would, though.![]()
539633618_24767613376178112_5595552379859478906_n.jpg
"I would never buy any of his..."
(You know, I'll be okay without your patronage; you needn't worry. Just keep basing all your decisions on your emotions and implanted constructs, and you should do really well in academia, particularly if year-to-year adjunct assignments are your thing, because academia - though it's quite interested in building more and more palatial architectural structures - values it's own human resources in the same way it views everyone else in the serf class.)
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Colby Fahrenbacher
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Re: nope
Schlitzz, is correct. You should always list relevant experience on your resume, which includes your formal training in the area. What the committee does with or draws from that information is up to them, not the candidate. The candidate's job is to present themselves as wholly and accurately as possible.
Former Tubist, USAF Bands
- LeMark
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Re: nope
I've been a private lesson teacher for 38 years, I never would have done it any other way. I have so much less stress and so much more free time than band directors
Yep, I'm Mark
- bloke
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York-aholic
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Re: nope
Background check: wife’s hospital interviewed a guy then made an employment offer through the HR dept. (for nurse (possibly EMT)). Then the background check came back later showing some history of domestic abuse and something else I do t remember. Went to HR to have offer rescinded. They said “Nope, it’s too late. He already came in and signed the paperwork’

Some old Yorks, Martins, and perhaps a King rotary valved CC
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Schlitzz
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Re: nope
Yeah, there’s been quite a few teachers caught in background checks, lack of licenses, and some claiming to have graduated, when it’s not true.bloke wrote: Thu Aug 28, 2025 4:56 pmLOL..."background check"Schlitzz wrote: Sun Apr 27, 2025 1:08 pm It wouldn’t be a good idea, to omit your completed degrees. That could come up in a background check, or a periodic one. But the resume should have areas of expertise, to show you can perform the assigned duties.
Yamaha 641
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Heavy_Metal
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Re: nope
Fire him for lying on his application.York-aholic wrote: Thu Aug 28, 2025 7:21 pm Background check: wife’s hospital interviewed a guy then made an employment offer through the HR dept. (for nurse (possibly EMT)). Then the background check came back later showing some history of domestic abuse and something else I do t remember. Went to HR to have offer rescinded. They said “Nope, it’s too late. He already came in and signed the paperwork’
![]()
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- York-aholic (Fri Aug 29, 2025 4:01 pm)
Principal tuba, Bel Air Community Band
Old (early 1900s?) Alexander BBb proto-163
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Old (early 1900s?) Alexander BBb proto-163
1976 Sonora (B&S 101) 4-rotor BBb
~1904 York 3P BBb Helicon
Old Alex Comp.F, in shop
- bloke
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Re: nope
I was laughing at the idea of symphony orchestras 1/ doing background checks on submitted resumes and 2/ qualifying applicants for not listing everything on their resumes.Schlitzz wrote: Thu Aug 28, 2025 9:21 pmYeah, there’s been quite a few teachers caught in background checks, lack of licenses, and some claiming to have graduated, when it’s not true.bloke wrote: Thu Aug 28, 2025 4:56 pmLOL..."background check"Schlitzz wrote: Sun Apr 27, 2025 1:08 pm It wouldn’t be a good idea, to omit your completed degrees. That could come up in a background check, or a periodic one. But the resume should have areas of expertise, to show you can perform the assigned duties.
Realize that I was suggesting truncating - and not enhancing - a resume to submit to a symphony orchestra.
Universities want their employee applicants to have a bunch of degrees, because degrees are what universities sell. Much as a dubious car dealership - which sells a known-to-be-disappointing make - might put pressure on its salesman to own and drive that make of car.
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Re: nope
I have seen this bite people in the behind as well. People going for jobs, even as band directors or other fields of education, because the school HAS to pay them more for a Masters (or Masters +15 or +30)--so some people who have been in active doctoral programs do not list these unless complete. Many people who have gone back to school are also working actively, so this would be advised as there are no gaps in the employment area. So they might have a year or two of formal training additional that would bump their pay scale significantly and it would be hurtful if trying for another job in a lateral move.Colby Fahrenbacher wrote: Thu Aug 28, 2025 3:25 pm Schlitzz, is correct. You should always list relevant experience on your resume, which includes your formal training in the area. What the committee does with or draws from that information is up to them, not the candidate. The candidate's job is to present themselves as wholly and accurately as possible.
Dr. James M. Green
Lecturer in Music--Ohio Northern University
Adjunct Professor of Music--Ohio Christian University
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www.russiantuba.com
Lecturer in Music--Ohio Northern University
Adjunct Professor of Music--Ohio Christian University
Gronitz PF 125
Miraphone 1291CC
Miraphone Performing Artist
www.russiantuba.com
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Colby Fahrenbacher
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Re: nope
Hard disagree. If a candidate has that additional training and the school has a policy to compensate employees for it, then the candidate should list that information and receive the compensation they are due. To do otherwise would be dishonest and sell yourself short.russiantuba wrote: Fri Aug 29, 2025 9:49 amI have seen this bite people in the behind as well. People going for jobs, even as band directors or other fields of education, because the school HAS to pay them more for a Masters (or Masters +15 or +30)--so some people who have been in active doctoral programs do not list these unless complete. Many people who have gone back to school are also working actively, so this would be advised as there are no gaps in the employment area. So they might have a year or two of formal training additional that would bump their pay scale significantly and it would be hurtful if trying for another job in a lateral move.Colby Fahrenbacher wrote: Thu Aug 28, 2025 3:25 pm Schlitzz, is correct. You should always list relevant experience on your resume, which includes your formal training in the area. What the committee does with or draws from that information is up to them, not the candidate. The candidate's job is to present themselves as wholly and accurately as possible.
If the employer isn't willing or able to pay you what you are worth, then you don't belong there.
Former Tubist, USAF Bands
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Re: nope
@Colby Fahrenbacher
All of my family is in education. A family member interviewed for jobs because he had more years in the system, and on the pay scale, would have to pay him more, so they hired people fresh out of school. It is part of the system in Ohio.
Many districts won’t even accept more than 7 years experience on the pay scale—so if you had 15 years and a spouse moved, and you took a job, they would pay you as a 7 year employee. Districts struggle for money.
Some have been suggested if they are in graduate programs and teaching, not to list it on the resume, and then once hired submit appropriate transcripts and documentation to get the additional pay.
Finally, back to the orchestral field, first full time orchestra I had applied for, got denied, and I saw people with less experience get accepted, less education. One with about the same got accepted with a message “we don’t expect you to win”. They said that I should have put my education last and highlighted my professional experience and collegiate ensemble experience, that education wasn’t important to them.
Going back to an old post, if going for a librarian job. Having 4 years of experience as a music librarian, and going for another job. If it lists “masters of library science required” list that. If it mentions “PhD preferred”, list that. But if not, listing relevant experience and skills is proven to be more important than academic credentials.
Jobs are simply looking for skills, and hopefully paying less payment for the position they are replacing.
All of my family is in education. A family member interviewed for jobs because he had more years in the system, and on the pay scale, would have to pay him more, so they hired people fresh out of school. It is part of the system in Ohio.
Many districts won’t even accept more than 7 years experience on the pay scale—so if you had 15 years and a spouse moved, and you took a job, they would pay you as a 7 year employee. Districts struggle for money.
Some have been suggested if they are in graduate programs and teaching, not to list it on the resume, and then once hired submit appropriate transcripts and documentation to get the additional pay.
Finally, back to the orchestral field, first full time orchestra I had applied for, got denied, and I saw people with less experience get accepted, less education. One with about the same got accepted with a message “we don’t expect you to win”. They said that I should have put my education last and highlighted my professional experience and collegiate ensemble experience, that education wasn’t important to them.
Going back to an old post, if going for a librarian job. Having 4 years of experience as a music librarian, and going for another job. If it lists “masters of library science required” list that. If it mentions “PhD preferred”, list that. But if not, listing relevant experience and skills is proven to be more important than academic credentials.
Jobs are simply looking for skills, and hopefully paying less payment for the position they are replacing.
Dr. James M. Green
Lecturer in Music--Ohio Northern University
Adjunct Professor of Music--Ohio Christian University
Gronitz PF 125
Miraphone 1291CC
Miraphone Performing Artist
www.russiantuba.com
Lecturer in Music--Ohio Northern University
Adjunct Professor of Music--Ohio Christian University
Gronitz PF 125
Miraphone 1291CC
Miraphone Performing Artist
www.russiantuba.com
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Colby Fahrenbacher
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Re: nope
@russiantuba I refute absolutely nothing about how you've described the school systems work, and I didn't in my previous post also. The part I disagree with is that you are suggesting that your family member should have accepted less pay than was owed to their experience and be paid at the same rate as those less experienced than them. I also find it particularly dishonest to obscure that fact with the intent of correcting the record later to get the pay raise.
In my earlier post, I literally said "You should always list relevant experience on your resume, which includes your formal training in the area." So yea, if you got a Bachelors in Underwater Basket-Weaving, then I wouldn't expect it to get included on a resume unless "Bachelors minimum required" was listed, it actually is a relevant skill, or you're trying to fill out your resume (which can definitely cause more harm than good).
If your resume is overloaded with other relevant experience and you're hurting for space, then the degrees can be comfortably left off for an orchestral audition, not because the formal training can't be an important indicator, but because you have so much other stronger experience.
In my earlier post, I literally said "You should always list relevant experience on your resume, which includes your formal training in the area." So yea, if you got a Bachelors in Underwater Basket-Weaving, then I wouldn't expect it to get included on a resume unless "Bachelors minimum required" was listed, it actually is a relevant skill, or you're trying to fill out your resume (which can definitely cause more harm than good).
If your resume is overloaded with other relevant experience and you're hurting for space, then the degrees can be comfortably left off for an orchestral audition, not because the formal training can't be an important indicator, but because you have so much other stronger experience.
Former Tubist, USAF Bands
- russiantuba
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Re: nope
I would never suggest lying, though when finishing my DMA and needing something before I got hired at ONU, my experience and degrees in basic jobs proved to be a hindrance because they saw I was overly qualified and wouldn’t stick around.Colby Fahrenbacher wrote: Fri Aug 29, 2025 2:16 pm @russiantuba I refute absolutely nothing about how you've described the school systems work, and I didn't in my previous post also. The part I disagree with is that you are suggesting that your family member should have accepted less pay than was owed to their experience and be paid at the same rate as those less experienced than them. I also find it particularly dishonest to obscure that fact with the intent of correcting the record later to get the pay raise.
In my earlier post, I literally said "You should always list relevant experience on your resume, which includes your formal training in the area." So yea, if you got a Bachelors in Underwater Basket-Weaving, then I wouldn't expect it to get included on a resume unless "Bachelors minimum required" was listed, it actually is a relevant skill, or you're trying to fill out your resume (which can definitely cause more harm than good).
If your resume is overloaded with other relevant experience and you're hurting for space, then the degrees can be comfortably left off for an orchestral audition, not because the formal training can't be an important indicator, but because you have so much other stronger experience.
In teaching, sometimes people are willing to give up pay, like in this case, to drive less and be closer to their family (or bike to work), a better program that would be less stress, etc, or get out of programs like in the original YouTube clip.
However, listing you are in classes (like a Masters +15) and you don’t have those until after the hiring date, on teaching interviews, they have to pay more. Transcripts generally have the option to send only completed courses as well. If it came up in an interview, be honest. Always be honest.
It is a much different world than when we were taught, where experience is frowned upon.
Dr. James M. Green
Lecturer in Music--Ohio Northern University
Adjunct Professor of Music--Ohio Christian University
Gronitz PF 125
Miraphone 1291CC
Miraphone Performing Artist
www.russiantuba.com
Lecturer in Music--Ohio Northern University
Adjunct Professor of Music--Ohio Christian University
Gronitz PF 125
Miraphone 1291CC
Miraphone Performing Artist
www.russiantuba.com
